As the title suggests, Weldon’s piece consists of thirteen titled
sections with varying lengths, written in the style of Gertrude Stein. While there is no obvious plot or human
characters (besides the first person I in
“A Few Different Ones”), experimentation with language and syntax is very
apparent. Articles and prepositions are
sometimes included where the reader would expect them, but are often omitted to
play with such expectations. Likewise,
phrases are repeated in three’s in the middle of sentences before the
syntactical units veer off in different directions. Often a sentence will read as though it was
originally three, and the writer simply cut out punctuation and select
words. The bizarre use of diction,
though confusing, is quite entertaining to read and the piece presents itself
as a collection of prose poems. The
reoccurrence of “Sandwich” is a playful break (I accidentally wrote bread
first) in the attempt to undermine the conventions of language.
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