Friday, February 1, 2013

Critique of Stewart’s “Charlton Heston”



“Charlton Heston” begins with an elementary school student’s first experience with a firearm after viewing a safety video in class featuring an animated character named Eddie the Eagle.  The spacing after this scene designates a shift to Charlie’s sophomore year in high school, though later breaks seem to only mark movement from one room to another.  Since the opening scene is so brief, it could even be condensed further and incorporated as a momentary flash back when Charlie sees Eddie the Eagle emerge from the Shooter’s Lounge.  This would be consistent with the story’s tone, since everything reads as though it is in Charlie’s head, anyway.

The substantial use of magical realism creates a sense of ambiguity throughout.  I was unsure if everything after Charlie retrieves his coke was merely a psychotic daydream as he drank the beverage or a sequence of hallucinations that he experience while actually in the Shooter’s lounge.  Regardless, the reader cannot help but wonder if the protagonist is mental.   It may help to explore Charlie’s sudden psychosis, whether it developed out of a series of traumas between elementary school and the present or if he watched too much TV and couldn’t distinguish reality from television.  Besides a few confusing instances, the story is well written.  I thought it was interesting that it was inspired by your own experience being stuck behind a train next to a shooter’s lounge.

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